“Heroes and Villains set us up with (Atlanta-based rap production team) FKi (famed for Iggy Azalea’s “Work” and Post Malone’s “White Iverson,” among many hits), who introduced us to DJ Spinz (credits with Future, YG, Tyga and more). “Getting to come to Atlanta and work with was huge,” says J2K. “Running with it” included Flosstradamus eventually hitting trap’s “ancestral” home of Atlanta via an introduction to the city’s finest names by (Atlanta-based dance DJ/producers) Heroes and Villains. Because of trap’s popularity, we noticed we started getting more gigs. Guys like Baauer and RL Grime had their own lanes, and everyone was generally doing their own version of what they thought was. “Flosstradamus had been in the DJ scene for awhile, but wasn’t a part of a defined scene or anything,” he says. J2K remembers other producers and current trap stars like Baauer initially sending tracks like “Harlem Shake” to a Meanwhile, producers worldwide were showing an interest in the burgeoning dance genre. Trap’s initial spread was viral and ultra-quick. I mean, Lex Luger put out a sample pack and that’s still the basis for what a lot of trap and EDM producers are using.” As far as with the trap samples, there weren’t that many sample packs out there at the time. “So, we started taking the tracks that Lex Luger was doing with the main beat and blending it with like, what John Dahlback was doing with his buildups and drops. We banged it out really quickly, and it’s so minimal because all we wanted to do was make a rap beat out of the original.”Ĭurt Cameruci, the other half of the duo and also known as Autobot, further breaks down the theory behind Flosstradamus’ early trap hits. We’d been playing the original track in our sets, and we were both like, ‘it’d be amazing to hear this over a half-time track. We were taking our samples from electronic pop and hardstyle records that we were feeling.” Regarding the now SoundCloud-infamous remix, J2K continues, “we attacked our ‘Original Don’ remix like we were making a rap beat. Everything we were making for rappers had a Southern influence. Trap was only understood in the hip-hop context. J2K says, “when we made the ‘Original Don’ remix, trap wasn’t really a ‘thing’ yet. Upon being introduced to Major Lazer’s thumping Dutch house-flavored single “Original Don,” a spark of inspiration hit the tandem and EDM was unwittingly on the precipice of a turnt up future. However, by 2010, Flosstradamus (like many current top trap-as-EDM names) were at a crossroads as DJ/producers, and were as likely to be found spinning sets as being in the studio making half-time tempo bass-laden productions for rappers. Similar to Flosstradamus, DJs like Diplo and Low Budget at Diplo’s pre-Mad Decent head honcho days at the Hollertronix parties in Philadephia, pre-moombahton Dave Nada at Taxlo in Baltimore, and pre-Fool’s Gold Records A-Trak and Nick Catchdubs, were among many artists favoring proto-trap Southern rap productions alongside synth-pop and indie “bloghouse” hits in their DJ sets. It was mainly Southern hood rap (think Memphis’ Three Six Mafia and Atlanta’s Gucci Mane), ’90s hits and R&B.” “My role as one of the openers was to play rap in an ironic sense at those parties. There were Yeah Yeah Yeahs remixes, Soulwax and that kinda stuff was popular.” Young says. “When I first started DJing, it was 2003-2004 and indie dance parties were all of the rage in Chicago. Josh “J2K” Young - one half of Flosstradamus - remembers his days as an underground trap-dabbling DJ in Chicago fondly. However, when Dancing Astronaut caught up with breakout trap-as-EDM stars Flosstradamus, they pointed to not so much of a timeline being followed, but a happy accident of sound and style that allowed for the creation of next-level music. Chic’s disco hit “Good Times,” for instance, famously underpinned Sugarhill Gang’s 1979 breakthrough OG rap classic “Rapper’s Delight.” Continuing this lineage, modern dance and trap are presently synonymous. and Waka Flocka Flame shouldn’t be at all surprising. The idea that many of dance music’s most successful crossover producers are dabbling in traditional Southern trap-rap tropes made famous by the likes of T.I.
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Millions were produced during WWII and hundreds of thousands afterward, seeing use through the Korean War and into the Vietnam War. General Patton famously referred to the rifle as “the greatest battle implement ever devised”. While some countries entered the war with limited issued semi-automatic rifles or developed such rifles during the war, America was the only nation to enter with its Army issuing autoloading rifles on a large scale. The rifle would become the first standard-issue semi-automatic infantry rifle in the world. 30, M1 is known affectionately as “the Garand” after its inventor, John Garand. As with all used firearms, a thorough cleaning may be necessary to meet your maintenance requirements. Mechanics: The action functions correctly. Overall, this rifle rates in about Very Good Plus condition. The right side of the receiver shows a thin drag line that is consistent with cycling. The receiver shows discoloration from dried oil residue. The bottom metal shows light thinning and a few deep scratches. The receiver legs show some light thinning under the wood. The bottom rear of the receiver shows discoloration from oxidation. The front of the barrel & gas tube have been refinished. The metal shows light scrapes & handling marks. Overall Condition: This rifle retains about 92% of its metal finish. There is fouling & erosion at the muzzle and in the grooves. The front of the barrel & gas tube have been refinished.īore Condition: The muzzle and grooves are light gray. The stock rates in about Very Good overall condition.įinish Originality: Original. The LOP measures 13 ? inches from the front of the trigger to the back of the buttplate. Several have damaged or removed small portions of the surface wood. The stock shows numerous scrapes, scratches, and compression marks. The buttplate shows scratches, and surface erosion. The hardwood stock has a pistol grip, metal nose caps, a stacking loop, two sling loops, and a metal buttplate with hinged door for storage in the butt. The right rear of the butt is marked “5674”. The face of the grip is marked with a “circled P” proof. Stock Configuration & Condition: The left side of the stock, above the trigger, is marked with a “boxed” Springfield Armory inspector’s stamp “SA / E.Mc.F.” and a “crossed cannons” cartouche. The elevation knob is marked from “2-12” in increments of two and “UP arrow DOWN arrow / BATTLE triangle RANGE”. The rear sight is a fully adjustable aperture sight set between two protective wings.The windage knob is marked “LEFT arrow” twice. Sights / Optics: The front sight is a blade set between two protective wings. The stock and sights are described below. Op Rod: “D35382 6 SA” – Correct for the Springfield serial number (page 71).īarrel: “P”, and “1-S-A-8-43” – A Springfield part in the correct date range for the serial number (page 63 – 64).īolt: “D28287-12SA / S-B10 diamond” – Correct for the Springfield serial number (page 53). Receiver Leg: “B B A”, “diamond”, and “D 28291 30” – Correct for the Springfield serial number (page 30). Safety: “C46015-9SA” – Correct for the Springfield serial number (page 104).įollower: “11” – Correct for the Springfield serial number (page 83). Hammer: “C46008-5 SA”– Correct for the Springfield serial number (page 98). Trigger Guard: “C-46025-1-SA” -A Springfield part (page 92). Trigger Group: “D28290-12-SA”- Correct for the Springfield serial number (page 90 of Joe Poyer’s M1 GARAND 1936 to 1957, 6th Edition). RIFLE / CAL.30 M1 / SPRINGFIELD / ARMORY / 1902947” Year of Manufacture: September, 1943 (page 185 of Joe Poyer’s M1 GARAND 1936 to 1957, 6th Edition). This M1 Garand uses all Springfield parts. Users can host their own live broadcast or they can upload and build playlists of music and talk content and to stream. Live365 broadcast continuously from 1999 until Januand revival in 2018. ( May 2015) ( Learn how and when to remove this template message) Please help improve it by removing promotional content and inappropriate external links, and by adding encyclopedic content written from a neutral point of view. This article contains content that is written like an advertisement. Live365 offers a paid listener subscription service called VIP, which features commercial-free listening. Live365 is available for listening on the web and across many mobile and home streaming devices. Live365 also offers personalized recommendations. Users may listen to thousands of stations on the Live365 radio network for free, with in-stream audio ads covering a portion of the music royalty and streaming costs. Live365 offers a variety of music and talk from numerous countries and genres. On January 6, 2018, Live365 was reorganized under Media Creek Inc., a Delaware-based holding company. An article was posted to the site's official Twitter on announcing the relaunch. The following month, the website returned with signs of a possible relaunch. In July 2016, Live365 was acquired by Jon Stephenson, owner of content delivery network EmpireStreaming (now SoundStack). A year after its closure, Live365 relaunched its site and streaming services. On January 31, 2016, Live365 ceased webcasting and its website redirected listeners and users to a list of competing services. In late December 2015, Live365 laid off most of its employees and vacated its office, and the few remaining employees were remote workers. With the pending expiration of the lower royalty rate allowed for small broadcasters, investors removed their support of the company. Also, on January 31, 2016, webcasters, who are governed by rules adopted by the Copyright Royalty Board, were required to begin paying SoundExchange an annual, nonrefundable minimum fee of $500 for each channel and station, the fee for services with greater than 100 stations or channels being $50,000 annual. After this time, smaller radio stations were required to pay the same fees as the largest broadcasters. The Webcaster Settlement Act of 2009 expired in January 2016, ending a 10-year period in which smaller online radio stations, Live365 among them, paid lower music licensing fees compared to larger broadcasters. In March 2003, Live365 launched their commercial-free membership called VIP. This model would later be replaced with one in which all members pay, but those who joined before September 2001 received a discount. Members who joined before September 2001 could continue broadcasting with their original package for free. More expensive plans allowed stations to have more simultaneous listeners and a greater amount of music file storage space. In September 2001, Live365 began charging for use of its broadcasting services to remain financially viable in the wake of rising music royalty costs. Stations had a maximum listener cap of 365 simultaneous listeners and 365 megabytes of storage for music and audio. After launch in July 1999, Live365 quickly eclipsed NanoHome, and the company soon shifted to solely focus on Live365 and online audio streaming services.Īt launch, broadcasting and listening on Live365 was free of charge. In 1998, Andy Volk shared the idea with Nanocosm CTO Peter Rothman, and they developed the concept for a new large-scale hosted community radio service dubbed Live365. Live365 had its beginnings in a hosted community radio project developed by Nanocosm employee Andy Volk in his free time using Shoutcast technology, and later modified by employee Brian Lomeland. (the parent company of Live365) was a technology startup founded by two roommates from the Princeton class of 1981, Alex Sanford and Steve Follmer, whose initial product was NanoHome, a 3D "Virtual Home" website featuring 3D homepages on the World Wide Web. This internet radio provides service in the United States, Canada, and the United Kingdom, with licenses from those countries' performance rights societies. Live365 was created in 1999, and remains one of the longest running internet radio websites for listeners and broadcasters. The Live365 network also features radio stations from artists such as Johnny Cash, David Byrne, Pat Metheny, Jethro Tull, and Frank Zappa. Live365 also has many well established AM and FM stations that use Live365 broadcasting platform to simulcast their terrestrial radio streams. Online radio stations on the Live365 network were created and managed by music and talk enthusiasts, including both hobbyists and professional broadcasters. LIVE365 is an Internet radio network which enables users to create their own online radio stations and listen to thousands of human curated stations. Pearson may offer opportunities to provide feedback or participate in surveys, including surveys evaluating Pearson products, services or sites. We use this information to complete transactions, fulfill orders, communicate with individuals placing orders or visiting the online store, and for related purposes. Online Storeįor orders and purchases placed through our online store on this site, we collect order details, name, institution name and address (if applicable), email address, phone number, shipping and billing addresses, credit/debit card information, shipping options and any instructions. We use this information to address the inquiry and respond to the question. 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To change the behavior of the markers-for example, to keep them visible even when onion skinning is turned off-click the Modify Onion Markers icon and choose one of the listed options.If you want the ability to edit all the frames between the markers-not just the one that the playhead is positioned on-click the Edit Multiple Frames icon.To see just the paths in the onion-skinned frames, without strokes and fills, click the Onion Skin Outlines icon.When you're finished, click the Onion Skin marker again to turn off the feature. Repeat steps 3 and 4 as many times as necessary. The Start Onion Skin and End Onion Skin markers move with it, keeping the same distance from the playhead. Press F6 to insert a new keyframe, or move the playhead to another keyframe. The dimmer strokes indicate what's in the two frames before and the two frames after.Ĭreate or modify the drawing in the current keyframe, using the dimmed images for reference. The black stroke in the center is what's in the current frame. Figure 33b This is how the Stage looks when onion skinning is turned on. Lab30 is a well known event in Augsburg and widely supported and cherished by the Augsburg music and art scene.You wonder how to download/share full quality music (mp3, wav, flac, etc. Attendees usually come from all over Europe and the United States. Lab30 has steadily grown in size since the first event and continues to be a meeting place for the musicians and users of Soulseek. Many Soulseek artists have performed at the festival, and a large number of them have performed live for the very first time there. This festival focuses on showcasing digital musicians, digital artists, and netlabels from all over the world. Every year since then, that meeting still takes place at a digital arts festival called Lab30 (30 being the street number of the Abraxas Theater) in Augsburg, Germany, organized by longtime Soulseek user Manfred Genther and other Augsburg locals. In summer 2004, Soulseek users from all the world met in Augsburg, Germany. Many musicians from the electronic scene are themselves too part of this Soulseek community. Users even have the ability to create their own chat rooms and invite other users with similar tastes to discuss their favorite music. In Soulseek, users can connect with other users with similar music tastes to share files and to chat. Soulseek is more of a community than a simple file sharing client. The Soulseek protocol search algorithms are not published, as those algorithms run on the server. The resulting search list may then be sorted in a variety of ways and individual files (or folders) chosen for download. The list of search results shows details, such as the full name and path of the file, its size, the user who is hosting the file, together with that users' average transfer rate, and brief details about the encoded track itself, such as bit rate, length, etc. For example, typing in experimental will return all the files that are contained in folders having that name, providing quick access to bands and albums in a determined musical genre. This allows users to search by folder name. For example, searching for blue suede -shoes will return a list of files whose names containing the strings blue and suede, but files containing the string shoes in their names will be excluded.Ī feature specific to the Soulseek search engine is the inclusion of the folder names and file paths in the search list. Searches may be explicit or may use wildcards/patterns or terms to be excluded. Users can search for items the results returned being a list of files whose names match the search term used. After the shutdown, the population of these chat rooms increased to 100 or more. Before the shutdown of its competitor, Soulseek's most-joined chat rooms averaged 50 or so people. The increase in Soulseek users after the shutdown of Audiogalaxy was plainly evident from a before-and-after comparison of chat room populations. Nir Arbel stated in an interview published Decemthat there were, at that time, over a million registered usernames and that 80,000–100,000 users log on during peak hours. Soulseek got a first boost in 2001 when Napster was closed down and then a second boost in 2002 when the site Audiogalaxy was closed down. Aided by Soulseek users, the developer Nir Arbel released new versions of the client very frequently, in response to user requests for new features or bug fixes. The original Soulseek user base around 2000 was composed mostly of members of the IDM mailing list, and most of the music first found on Soulseek was underground electronic music or music created by the users themselves. SoulseekQt has somewhat different functionality compared to the 157 client interface. Work on Client 157 (Windows only) stopped in 2008. New developments are solely on the SoulseekQt client interface. There are reportedly five times more users on the network accessed by clients 157/Qt than 156 as of August 2011. The older and now the less used one is accessed by Soulseek client 156 the newer network and one with greatest usage is accessed by Soulseek client 157 (Windows only) or SoulseekQt (Microsoft Windows, macOS, or Linux platforms). Two independent networks have made up Soulseek since 2006, both run by the same management. Soulseek was created by Nir Arbel, an Israeli programmer from Safed. Soulseek is used mostly to exchange music, although users are able to share a variety of files. The term Soulseek might refer to one of the two networks, or one of the three official user client interfaces. Soulseek is a peer-to-peer (P2P) file-sharing network and application.
Electronic payroll tax filing: Allow for the digital submission of direct deposit payroll returns without requiring paper-based submissions.Overtime management: Pay overtime at alternate pay rates or allow for the accrual of vacation time based on overtime worked.Multiple state tax tables: Calculate varying tax rates based on individual state requirements. Deductions management: Allows for custom control over withholding funds from paychecks to cover taxes, benefits, garnishments, health insurance, retirement contributions, etc.Paystubs: Provides detailed paycheck information covering items such as hours worked, salary/wage earned, deductions, tax withholdings, etc.Batch printing can offer efficiencies versus writing individual payroll checks Check printing: Print physical employee paychecks for distribution and tax filing records.Salary and wage calculation: Calculation of employee paycheck amounts based on time tracking hours worked, specified salary and wage rates, and any other contributing factors.It prints employee paychecks, provides reports to better manage employee pay records, and generates complete weekly, monthly, quarterly, and annual payroll tax-related forms and reports. Payroll software remains the key financial focus of all HR software packages, and a necessary tool for payroll departments, or more broadly, human resources.įull service payroll software calculates and tracks employee salaries, wages, bonuses, tax withholding, and deductions. Payroll software is designed to manage all elements of executing employee compensation, including wage calculation, check printing or direct deposit, and payroll tax management. Japanese fancy mouse ( Mus musculus molssinus) Primates († Plesiadapiformes, Strepsirrhini, Haplorrhini) In addition to the regular pea-sized thymus organ in the chest, house mice have a second functional pinhead-sized thymus organ in the neck next to the trachea. The tail is also used for balance when the mouse is climbing or running, or as a base when the animal stands on its hind legs (a behaviour known as tripoding), and to convey information about the dominance status of an individual in encounters with other mice. Tail length varies according to the environmental temperature of the mouse during postnatal development, so mice living in colder regions tend to have shorter tails. Blood flow to the tail can be precisely controlled in response to changes in ambient temperature using a system of arteriovenous anastomoses to increase the temperature of the skin on the tail by as much as 10 ☌ (10 K 18 ☏) to lose body heat. The tail, which is used for balance, has only a thin covering of hair as it is the main peripheral organ of heat loss in thermoregulation along with-to a lesser extent-the hairless parts of the paws and ears. These are large compared to the rest of the body and can be retracted into the body. When sexually mature, the most striking and obvious difference is the presence of testicles on the males. From the age of about 10 days, females have five pairs of mammary glands and nipples males have no nipples. Newborn males and females can be distinguished on close examination as the anogenital distance in males is about double that of the female. House mice thrive under a variety of conditions they are found in and around homes and commercial structures, as well as in open fields and agricultural lands. The hind feet are short compared to Apodemus mice, only 15–19 mm ( 9⁄ 16– 3⁄ 4 in) long the normal gait is a run with a stride of about 4.5 cm ( 1 + 3⁄ 4 in), though they can jump vertically up to 45 cm (18 in). They have short hair and some, but not all, sub-species have a light belly. In the wild they vary in color from grey and light brown to black (individual hairs are actually agouti coloured), but domesticated fancy mice and laboratory mice are produced in many colors ranging from white to champagne to black. House mice have an adult body length (nose to base of tail) of 7.5–10 centimetres (3–4 in) and a tail length of 5–10 cm (2–4 in). The house mouse is best identified by the sharp notch in its upper front teeth Formats: CD, digital download, streaming (reissue)DOWNLOAD MP3 Trinidadian rapper musician Nicki Minaj unlocks a brand new music titled “ Moment 4 Life” kindly check out the music mp3 download lyrics below.Mixtapes List of mixtapes, with selected chart positions Formats: CD, Digital download, streaming.Reissued albums List of reissued albumsĬompilation albums List of compilation albums, with selected chart positions "-" denotes a recording that did not chart or was not released in that territory.
Robert is an ambivalent prince whose sister Gwen (a woefully underdeveloped character given the weight the story tries to place on her) is better-qualified for leadership than he is, and while he is constantly pursued by veritable scads of women, he only has eyes for this young woman he saw in town. There's a good chance he's not familiar to you he just seems like the weighted average of all the guys who could play a prep school villain on a procedural or the detective's son who turns out to be the real murderer in a prestige drama. Your brain will try to tell you he has probably been making Disney Channel musicals since he was 14, but it's lying to you. Her prince is named Robert (.sure) and is played by Nicholas Galitzine, who has chiseled cheekbones, an earring, and often a tiny upturned thumb of hair just above his forehead. She dreams of her own dressmaking empire, while singing and longing and so forth. But rather than being stuck doing menial chores, she just hangs out down there and designs dresses, which makes her life probably one that a lot of crafty young women would envy, except for the fact that she has mice for friends (they are voiced by Corden, Romesh Ranganathan, and James Acaster). She does have a stepmother, and she does have stepsisters, and she does live in the basement. Loosely stated, the concept is that Cinderella is now what we might call a girlboss, played by pop diva Camila Cabello. The concept apparently originated with James Corden, our sweatiest late-night host (comedically, not literally) and one of the stars of Cats, a movie that has done for hallucinogens what Oreos did for milk. The new Cinderella that's out on Amazon this weekend is not a good idea. What happens when you throw a ton of great talent at a listless idea? Nicholas Galitzine and Camila Cabello in Cinderella. |
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